Disrupting the cosy conceptions of art
The art of Johannes Phokela, who will represent South Africa at next month’s Venice Biennale, is not always earnest, writes Chris ThurmanFILM: The Sapphires; 360; Fast and Furious 6
Phillip Altbeker reviews the drama The Sapphires, City of God director Fernando Meirelles’s latest offering 360 and the sixth iteration of the Fast and the Furious franchise
DANCE : Dominion, and Uncles and Angels
Dance Forum has invited two vital young choreographers to showcase their work at the annual Sanaa Africa Arts Festival, writes Tammy Ballantyne
A right royal romp for the king of rock
Sean Bovim combines the technique and structure of ballet with the nonconformity and rebellion of rock ’n’ roll in his most recent work Private Presley, writes Penny Haw
The lack of grace in victimhood
The contemporary community documented in Heike Allerton-Davies’s Valley of Grace exhibition is far from a state of grace, writes Chris Thurman
In Other News
ARTS: The vital economic impact of the arts in the UK
Research reveals that London is tightening its grip on arts philanthropy in the UK, writes James Pickford
Jury out on The Great Gatsby as Cannes festival kicks off
Baz Luhrmann’s The Great Gatsby to open this year’s Cannes Film Festival
Blitz to put SA film industry on map continues
SA’s film industry faces piracy, distribution hurdles, write Khulekani Magubane and Phetane Rapetswane
Portraits of the muso as an artist
The range of media employed in the exhibition Tom Waits for No Man, the second project Gordon Froud has undertaken as an homage to a musician, is impressive, writes Chris Thurman
JAZZ: Strong roster of nominees on Sama’s jazz short list
For genres such as jazz, the South African Music Awards will never be the most appropriate arena, but it seems the awards are finally maturing into the music barometer it ought to be, writes Gwen Ansell
Pupils see Xhosa novel come to life
Amaza, adapted for stage by Thoko Ntshinga, tells the story of a detective whose investigations bring him back to the village of his youth, writes Penny Haw









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